Streetscapes [Dialogue] (2017)

The history of New York City’s Apollo Theater in Harlem is given the full treatment.

During the darkest hours of the night, while the rest of the world is sleeping, outdoor photographer Paul Zizka ventures out into the wilderness in search of the world’s starriest…

A deep dive into the mysteries that led a young American man name John Walker Lindh, who became known as the “American Taliban,” to the battlefield in Afghanistan fighting alongside…

Not since the invention of the Internet has there been such a disruptive technology as Bitcoin. Bitcoin’s early pioneers sought to blur the lines of sovereignty and the financial status…

Through an intimate and artistic lens, yet investigative and political, Milk brings a universal focus on the politics, commercialization and controversies surrounding birth and infant feeding over the canvas of…

The making of The Matrix Reloaded: Go to the middle movie’s furthest reaches via five documentary paths revealing 21 featurettes.

We, The Marines takes viewers on an action-packed adventure into the unparalleled experience of becoming and serving as a member of the U.S. Marine Corps. Narrated by former Marine and…

A revolution changes the social and political ‘landscapes’ of a country, but first and foremost it changes the physical landscape. For centuries none of the city centers of the world…

In Donbas Ukraine, while precarious truces and ceasefires are negotiated far away by diplomats, Ukrainian soldiers fight against separatists supported by Russia. At an age when some are experiencing the…

Baker’s journey in completing Nicolas Cage’s “Inconceivable” and exclusive interviews with top directors recounting their experiences with their first films.

Lot Lizard is a feature documentary about truck stop sex workers in America. There are three million truck drivers and thousands of truck stops throughout the United States. Many of…

BAREFOOT is a portrait of Mark Baumer, a writer and activist who walked barefoot for over 100 days to protest climate change. In a voice The New Yorker praised as…